Trip-hop is a funny style of music, in a way, because as catchy and cool as it sounds, and as vital as it can be when it’s at its best, it’s dominated to such an absurd extent by Bjork, Tricky and Massive Attack that there’s really almost no point in designating it as a thing … Continue reading “On ‘Immature,’ Bjork’s Final Anthropological Conclusion, and its Sovereignty within Late-’90s Girl Pop”